We have Write-a-Novel-Month, we have poem-a-day initiatives. Try Save Nothing Day, a session in which you delete or
discard whatever you've written.
Write your own sand mandala. Do not keep notes toward what you have written. Do not save drafts. Do not memorize phrases to keep for later. Do not tuck them discretely under a folder or notebook when no one is looking. Instead when time is up for your writing session, press delete, drag the item to e-recycling bin or crumple the sheet of paper into an actual waste bin. Using a paper shredder might be a better option for it keeps at bay the temptation of retrieval.
Write your own sand mandala—writing that gets blown away. Reach beautiful insights, find colorful structural strategies, realize new points and segue, create whole stretches in an aesthetic approach—and then erase.
Often another breed of deletion becomes dominant in a writer’s process: a deletion that causes more harm than good, that anticipates a future audience and is defensive. (Hitting the backspace bar as often as moving forward, mixing editing with creating.)
The deletion of disposable writing is different because it's a deletion of product, not process. We follow the moment, we enjoy the motion of writing, and at the end we relinquish product, unattached to outcome.
Who should join the tradition of those who Keep Nothing?
· Those who are stuck in their writing and find everything they have written to be precious.
· Those who need to think everything through before writing, who need to be perfect as a defense against anticipated criticism.
· Those who daydream about product and outcome, about how the end result will personally benefit them, change their status, improve their lot with others or with themselves.
· Those who will not allow words to be in their natural state and those who will not allow writing to be ordinary and prosaic in its constant generation.
· Those who worship writing.
· Those who wait for regeneration of their writing, either of their overall ability or a specific project.
· Those who place their own standards and motives before the motion of writing.
· Those who don’t see writing as a movement occurring in time but instead as an object, static, like a trophy.
The benefits of disposable writing are the lowering of standards and the practicing of detachment. For the practitioner, there is trust in this letting go: one trusts the abundance of impermanence, knowing that just as good writing arose in this moment, it will arise again in another moment.
What does one write when keeping nothing?
Write as one would normally write or write as one would not normally write, but at the end, delete.
Write with an audience in mind or write with no audience in mind, and at the end, shred.
Give oneself a focus, genre, approach, or do not give oneself a focus, genre, or approach and instead freewrite, and at the end, crumble.
Write the next step in a draft on a particular project or begin something new.
The content, stage, and genre don't matter—decide those on your own—but in the end, delete.
Many find the disposable method most useful and least intimidating if done with freewriting or with the earliest stages of invention. A person of advanced training in the mindfulness of writing will practice disposable writing at advanced and more polished phases and with genre of increasing distinction.
You may decide to retain your creation, but don’t allow yourself this exemption too often because the lessons of disposable writing and the benefits of acknowledging impermanence will fade away.
Finally, it's possible to keep your writing and at the same time maintain the disposable mindset: this requires a sincere dedication to impermanence while you write, a true tracking of the passing moments. It's possible to cheat the recycling bin, but the person who does so must have a strong mindful writing practice. It's is too easy to become ensnared in attachment.
Write your own sand mandala—words that get blown away.
1 A quota means focusing on doing, which is good because that is a focus on process, but at the same time these sort of initiatives dangle the charm of a particular genre (I wrote a novel; I wrote a sonnet today), and therefore harden patterns of attachment (I wrote a whole novel; I wrote an actual sonnet today).