When we reach the point where we can't create because we're too preoccupied with our worries, too caught up in hopes for a particular outcome, or facing roadblock, we need to restore ourselves to a more open, inventive position. The Corpse Pose for Writing (or Relaxation Pose) is a method for reducing anxiety around a piece of writing. It's a way to give ourselves a fresh start.
Clear your desk or writing area of any signs of the project (including pens, pencils, Post-Its, notebooks, review letters, feedback).
Divide the draft into 5-7 parts. Each part, no matter the genre, should not exceed 250-500 words. The pieces should be of a length that you can read with ease in a minute. Dividing the work in this way may mean you need to select from a much longer document, so select sections which are particularly troublesome for you. Do include your current opening or introduction.
Place each part on separate screens or print out onto separate pieces of paper. Move in reverse order, putting the chunk closest to the end of the document (the feet) on the first screen or sheet of paper, followed by a subsequent passage on the next screen, until the very last screen or page of paper holds the opening (the head) of this document.
Watching your in and out breath, turn your attention to the "feet" of the document--only the feet. Put all of your attention on this section: reread it. Scan it up and down for any sort of tension that arises. Where are you frustrated, irritated, worried, or any other emotion? Don't try to fight off these emotions: simply observe them with a detached mind. Scan also for any images, associations, and new ideas that arise from your mindfully watching the feet of the document. After a few minutes, release this part of the document. Release the feet: let it sink back down onto the floor (if a sheet or paper) or into the computer (close the screen). Let go of everything concerning that section.
Watching your in and out breath, turn your attention now to the "calves and thighs" of the document--only this section. Put all of your attention on this section: reread it. Scan it up and down for any sort of tension that arises. Where are you frustrated, irritated, worried, or any other emotion? Again, don't try to fight off these emotions: simply observe them with a detached mind. Scan also for any images, associations, and new ideas that arise from your mindfully watching the legs of the document. After a few minutes, release this part of the document. Release the legs: let them sink back down onto the floor (if a sheet or paper) or into the computer (close the screen). Let go of everything concerning that section.
Move now to the "pelvic area" and "belly" of the document. Repeat the same steps as above. Then let go of everything concerning those sections.
Move to the "torso" or "chest" area of the document. Repeat the same steps and then let go of everything concerning that section.
Move to the "arms" and "hands" of the document. Repeat the steps and then let go of everything concerning those sections.
Move to the "shoulders" and "neck" of the document. Repeat the steps and then let go of everything concerning those sections.
Move to the "face" of the document, observing even the finest strain of mental-musculature tension. Because this is the face, it is what the world sees most about our writing: it is the most noticeable part of our document. The beginning of the document thus can contain the most complicated of stresses, built up over time. Repeat the steps and then let go.
Last of all, move to the "crown" of the document, the space above the first section, perhaps where a title lies or might reside one day. By now the rest of the document is relaxed. You are probably relaxed. Spend a few moments in this state. If it is possible, have a writing companion ask you a question about your document or writing experience. In this relaxed state, so close to the floor, so close to the unconscious, you may find insights and ideas not possible with a strained, tight mind.
Variation: try each of these steps as a freewrite.
(If you liked this post, try "Yoga for Hands" from 9/11/2012: it's another embodied writing technique.)
(If you liked this post, try "Yoga for Hands" from 9/11/2012: it's another embodied writing technique.)
* image from petercallesen.com
Love this! One of my daily rituals includes the Corpse pose. Although I don't write, yet, I will incorporate the pose into photographing and painting. Thanks!
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